i live in here is now closed.

Flux Gallery and aceartinc would like to apologize for the work launched and performed on October 25 in Flux Gallery, i live in here by k. steele. We are utterly grateful for the feedback we received from members of the community about this show. 

The exhibition involved an installation and performance that was harmful by trivializing experiences of homelessness, disability, and mental illness. Flux Gallery and aceartinc will not tolerate or be a platform for work that is oppressive. We failed to do our due diligence by not thoroughly considering the work ahead of time in order to prevent harm. We apologize to all those who have been negatively impacted by the exhibition. 

The show is now closed. We are taking steps to create structural change to ensure that our actions align with our values. Our plans include anti-oppression training and increased consultations with artists in the lead up to their exhibitions. We will continue to discern what further actions are needed.

We welcome further feedback about this exhibition and the harm it has caused. We also welcome and encourage continuing dialogue on how Flux Gallery and aceartinc can improve our programming and foster safer spaces. 

To get in touch, please email chantel@aceart.org or flux@aceart.org 2nd Floor, 290 McDermot Avenue, Winnipeg, MB R3B 0T2    tel: (204) 944-9763

i live in here | k. steele | Flux Gallery

Exhibition run: 25 October – 9 November 2019

Launch: 7 pm, 25 October 2019

Gallery hours: 12 – 5 pm Tuesday – Saturday

The artist k. steele has been living inside Flux gallery for an unknown period of time. No one has been able to make him leave. No one knows what he eats. No one knows how old he is or what he smells like.

He goes into hiding whenever an exhibition is open in the gallery, but due to a cancellation Flux will be vacant from October 25th until November 10th and he will be exhibiting a series of drawings he has titled i live in here instead. Flux will remain open during this time, but it isn’t recommended that you talk to k. steele or accept anything he tries to give you. Also, under no circumstances should you touch him. His skin is very soft and hot and it’s unsettling.

The drawings can be purchased by donation and taken from the gallery during the exhibition. Any drawing taken will be replaced on-site by the artist, which means the exhibition will be constantly changing. The drawings form a visual journal that tells a story of anxiety, personal stagnation, and insecurity, while also presenting a challenging examination of the ‘artist’ as a romantic figure. It mostly concerns a cruel bird, though.

k. steele is described as ‘an illustrator and performance artist’. His work has appeared in publications and art journals throughout North America and Europe. People are always pouring water on him. i live in here is his first indoor solo exhibition.

This cannot be stressed enough, do not touch him.

IGBA | Chukwudubem Ukaigwe | Flux Gallery

Launch: 15 November, 7 – 10 PM

Runs: 15 November – 8 December 2019

Gallery Hours: Tuesday to Saturday 12 – 5 PM

In his first solo exhibition, IGBA, Chukwudubem Ukaigwe delves into the discourse of semiotics and modes of perception with the use of specific mediums to create alternate and multiple takes or realities that interact with each other in open dialogues. Ukaigwe specifically uses masculinity as an entry to this conversation. This show is the “John the Baptist” to subsequent, more complex Bodies of work.

A Stew to Stand In | Marijana Mandusic | Flux Gallery

Exhibition run: 15 August – September 7 2019

Launch: 7pm, 15 August 2019

Gallery hours: 12-5pm Tuesday – Saturday

A Stew to Stand In uses the flat plane of the canvas to activate a series of personal objects. Each object represented is powerful in its own right while simultaneously being only a skin of the physical painting itself. Employing the symbolism of still life painting, arranged personal objects bring up my own emotions like a burp that unintentionally contains barf. Subtle yet loaded, these still lifes become portraits that mirror myself, each one with knowing eyes that laugh back at me.

Marijana Mandusic is a painter and performance artist whose work is focused on embodying feelings of loneliness, isolation and self-exposure. Creating odd looking characters through her paintings and an awkward, often troubled persona in her performances she hopes to bring out the humor in dejected states of being. Marijana completed her Bachelor of Fine Arts (honours) in 2013 and currently lives and works in Winnipeg.

Majesties | Callie Lugosi | Flux Gallery

Run: July 12-26 2019

Launch: Friday, July 12 7-10pm

“… They turn their camera to Winnipeg’s drag royalty in Majesties: the harvest of an extraordinarily performative, deeply personal, conceptual cornucopia of homegrown genderfuckery.

In the manner of a Renaissance court painter, Lugosi’s lens enshrines each noble as they themselves would wish to be immortalized.

This gaudy catalogue in gilded frames captures the imperturbable inner radiance of the local community’s intersectionally outspoken, iconizing those who swerve away from puritanical binary definition and lead the reformation of gender’s presentational architecture.”

-Sarah Jo Kirsch

Callie Lugosi (they/them) is a lens-based artist and journalist from Winnipeg. They make use of analog and oft-times antiquated technology to create photographs. The heart of their practice centers around documenting, archiving, and carving out space for queerness in the local historical canon.

Red | Tayler Buss | Flux Gallery

Exhibition runs: May 2-11, 2019
Launch: Thursday, May 2, 7-10pm
Gallery Hours: Tuesday- Saturday, 12-5pm

Red is an exploration of cultural identity and personal relationships through the use of household objects. The contrast between Western and Chinese objects serves as a metaphor for memories and relationships. The colour red is a connective element throughout the piece while upholding it’s traditional meaning in Chinese culture: good fortune.

The artist would like to give a special acknowledgement to Helen Lee.

Fifth Kingdom | Meganelizabeth Diamond | Flux Gallery

A solo exhibition of work by Meganelizabeth Diamond.

Join us for the opening reception of Fifth Kingdom March 13th from 7-10pm.

Exhibition run: March 13-23, 2019

The Fifth Kingdom, according to LIFE’s “A Guide to The Natural World” is the inanimate world of rocks and minerals. This Fifth Kingdom is a photo-based exploration that looks at the mining of bits of stone, quartz and other natural materials as they are extracted within the inorganic, digital world. Collaged pieces of rocks and crystals take on new forms, presenting themselves as failed optical illusions and patterns mimicking autostereograms (Magic Eye images).

Bio: Meganelizabeth Diamond is an interdisciplinary artist from Hazelridge, Manitoba currently based out of Camp Morton, Manitoba. Her practice utilizes both analog and digital forms of image capturing, collaging, and film-making. She is a collective member of Open City Cinema and co-programs the Winnipeg Underground Film Festival. Her work has shown throughout artist run centres and festivals across Canada and the United States. Meganelizabeth sits on the board of directors of PLATFORM photographic centre + digital arts and she has completed her BFA at the University of Manitoba.

Flux Gallery exhibits engaging contemporary art in any medium by early-stage emerging artists, located within aceartinc.

Sorry, not in print | Abhishek Chaudhary | Flux Gallery

A solo exhibition of work by Abhishek Chaudhary.

Join us for the opening reception of Sorry, not in print February 1st from 7-10pm.

Exhibition run: February 1-9, 2019

Artist statement: Sorry, not in print is a collection of memories, bored of being alone in the museum office. The work functions as a tampered archive of textual and visual information that at once, seems convincing but promises to be untrustworthy. The seesawing between the real and performative history is where the author finds space for creative, empowering deceits. After all, old passports are good for nothing but perhaps, scribbling.

Bio: Abhishek Chaudhary is an artist who works in images, words and performance. Born in India he is currently at the Academy of Art, Architecture and Design in Prague.

Flux Gallery exhibits engaging contemporary art in any medium by early-stage emerging artists, located within aceartinc.

Mood Swings | Leah McInnis and David Peters | Flux Gallery

An exhibition of work by Leah McInnis and David Peters. Join us for the opening reception of Mood Swings, January 11th from 7-10pm.

Exhibition run: January 11-18


Ladders, lofts, pendulum chairs and stairs to nowhere.
What haunts trestle and beam? What remains when we daydream?
We leave buzzing shadows as auguries.

Laminated castoffs and bindings, spines and gutters in faded jackets,
this is a search for the mercurial.
Out for a lark, an architecture to hide a dog ear.

Licking thumbs under glass cylinders.
Dark pools,
flip through paper ink indulgences
and wait for distances to diminish.

Leah McInnis and David Peters are artists based out of Victoria, BC and Winnipeg, MB. Both come from literary backgrounds, each having completed a BA English in addition to BFA and MFA degrees. Over the past year they have been building large scale interactive sculptures out of reclaimed lumber while completing the MFA program in 2018 at the University of Victoria in Victoria, BC. It is important to them to use combined skill sets to produce situations that foster community building.

Flux Gallery exhibits engaging contemporary art in any medium by early-stage emerging artists, located within aceartinc.

Flux Gallery | 2016–2018 Archive

Niamh Dooley | Nintawin

7-14 December 2018

A solo exhibition of work by Niamh Dooley. Join us for the opening reception of “Nintawin” December 7th from 7-10pm.

Nintawin, meaning home in Oji-Cree, is a show that explores the revitalization and resurgence of traditions within a home space that may have been lost through colonialism. Using paintings with images of these traditional practices or items and placing them with sculptural items associated with a house, builds the relation between tradition and home and the importance of passing down this knowledge. Materials range from oil paint, deer hide, beadwork, moose hair, branches, sinew and wooden found sculpture pieces. The mixture of contemporary and traditional materials work together in connecting the central themes of the show.

Niamh Dooley is an Oji-Cree and Irish contemporary artist based in Winnipeg. Dooley is a band member of St. Theresa Point First Nation in Treaty 5 territory of Manitoba, but grew up in Treaty 3 territory in Sioux Lookout, Ontario. Dooley predominantly focuses on the exploration of identity, cultural issues, and her interest in the relationships between Indigenous people, past and present, and connecting them with both traditional and contemporary materials in her art practice.

Simon Fuh |The Greatest Of All Time

9-17 November 2018

A solo exhibition of work by Simon Fuh. Join us for the opening reception of “The Greatest of All Time” November 9th from 7-10pm.

The Greatest of All Time is a reflection on sport and play. It uses found sculpture, video and digital images to explore the relationship between fun and organized competition. Simon is interested in how societies (under patriarchy) tend to construct a spectrum of acceptable levels of enjoyment in competitive structures. Games are designed to incentivize winning, and are often thought of as micro representations of our world. Fun, at the competitive level, is not necessarily an emotional response that is highly sought after. Simon’s work is both a representation and subversion of this constructed seriousness.

Simon Fuh (b. 1993) is an artist based out of Regina, SK. He completed his BFA at the University of Regina in 2016, and has lived and worked in Toronto, ON, and Taipei, Taiwan. Recent exhibitions include Under One Roof, Mississauga, ON (2018), Very Good Painters, Regina, SK (2018), and Futures, a traveling exhibition throughout Saskatchewan (2017). Simon’s writing was published in the fall 2018 issue of C Magazine. He is currently the Administrative Coordinator at Neutral Ground Artist-Run-Centre in Regina.

This project is presented in part with the support of the Saskatchewan Arts Board.

Coming up

Gather | Group exhibition curated by Flux with Hassaan Ashraf, Niamh Dooley, Ekene Maduka, and Emma Mayer

 26 July – 16 August 2018 

Flux Gallery’s first curated exhibition, Gather, opens on Thursday, July 26, 7-10pm.

Exhibition Statement:
For Flux Gallery’s first curated exhibition, Hassaan Ashraf, Niamh Dooley, Ekene Maduka, and Emma Mayer have been grouped together under the theme of portraiture and textiles. Gather is an exhibition that includes painting, performance, textiles, multi-media work, photography, and collage. Gather speaks to identity formations in relation to garments, fashion, and cultural transience. From humourous, sentimental, or nostalgic; to confrontational, empowering, or inviting; the subjects in these works gesture towards an engagement between artist and subject, artist and viewer, and viewer and subject. Through acts of cultural jamming and resistance Ashraf, Dooley, Maduka, and Mayer recontextualize the textiles and garments they utilize—at times evidenced by the maker’s hand, and at other times evidenced by the subjects’ gaze and mood.

Gather is curated by Noor Bhangu, Christina Hajjar, Pablo Javier Castillo Huerta, and Mariana Muñoz Gomez on behalf of Flux Gallery

Hassaan Ashraf is a multi-disciplinary artist who moved to Winnipeg in 2012 to pursue a Master’s degree in Fine Arts. His practice reflects on his journey as a displaced artist, dealing with themes of cross-cultural experience, diaspora, homesickness, culture shock, global culture, post-colonialism, politics and the west’s discomfort with alien cultures.

Niamh Dooley: I am an Oji-Cree and Irish contemporary artist based in Winnipeg. I predominantly focus on the exploration of identity and the relationships between Indigenous people, past and present, and connecting them with both traditional and contemporary materials.

Ekene Maduka: As a black female artist, it is important for me to make my identity apparent. Living in Nigeria and being surrounded by a majority of people who looked like me made me inattentive to the fact that in parts of the world, I was a minority. Leaving home changed my perspective on that matter: For me, it is important to share my story and culture with people unaware of it and add to an art community that has for so long been dominated by a western male presence.

Emma Mayer is an emerging interdisciplinary artist from Winnipeg, Manitoba. She has studied at the School of Art at the University of Manitoba and at Griffith University in Brisbane, Australia, and received her Bachelor of Fine Arts (Honours) from the University of Manitoba in 2018. Presently, she works across various media including video, drawing, sculpture, zine-making and photography. Her work explores interpersonal relationships, personal narratives and melodrama.

Eric Plamondon | now with words

A solo exhibition of work by Eric Plamondon. Join us for the opening reception of “now with words” on Tuesday, July 10 from 7-10pm.

The exhibition runs July 10-21, 2018
Gallery hours: Tuesday-Saturday, 12-5pm

Artist Statement:
In an era of high resolution, excess and lingering social vestiges of masculinity, what visual cues allow us to understand the other? now with words is an analogue presentation of Winnipeg men where the expressed words are juxtaposed with bare instant photographs, offering the viewer a focused and incomplete context on who they are; and maybe along side each other, who we are collectively.

Eric Plamondon is a Winnipeg based multi-disciplinary artist who is just as comfortable creating in french than in english. He has often used a queer lens to highten universal human experiences. This has resulted in projects in the realm of writing, theatre, film, improvisation, art installations and curation. He is most interested in projects that permit cross-contamination, that is to say when techniques from one medium crosses over into another medium.

now with words is Eric’s first solo art show.

Lauren Lavery & Stephanie Ng | ( ) to ( ) / place to place

A solo exhibition of collaborative work by Lauren Lavery and Stephanie Ng. Join us for the opening reception of “( ) to ( ) / place to place” Friday, May 11 from 7 to 10pm. The exhibition runs May 11- 18, 2018.

The exhibition is a collaborative material experiment between the artists Lauren Lavery and Stephanie Ng, who are based in Guelph, Canada and Hong Kong, China. The process involved in the making of the works is based upon the act of mailing materials, objects and notes back and forth with an intention to alter them each time, consequently resulting in the formation of a finished artwork.

Gallery hours:
Tuesday – Saturday, 12 – 5 pm

Please see aceartinc.’s website for detailed accessibility information:

Artist Statement:

A box can be described in many ways. Simply put, a box is generally characterized by its square or rectangular shape and straight edges. Sometimes a box will even be equipped with a lid, to cover or enclose the box’s contents. The size of the box is also directly related to the type and amount of objects one can put inside, not to mention the weight and strength of the box’s material structure also having to align with that of its contents. A box is a container, a vessel; a box is an object that can hold something else secretly. Ultimately, a box is more complex than it seems.

Our boxes have travelled. They have been beaten, battered, touched by countless hands, both human and machine, and weathered the natural elements of wind, rain and sun. We can only speculate what may have happened between here and there, or identify which trace and mark was made by what, or by who. Our boxes have not only held objects within them, taken them from point A to point B, but they have also become objects themselves. Their journeys have made them into something new, like how material can be manipulated and assembled into an artwork. The same elements have affected our boxes, but unlike most art, their transformation has happened somewhat unintentionally.

The act of mailing a box is political. It involves taxes, declaration of contents, express shipping charges and is subjugated to being opened and searched before its arrival. Before the box is even able to begin its overseas journey, there is conflict. Entrusting the contents of the box to such unforeseen circumstances is taking a risk. Risking the safe and unbroken arrival of the contents; risking the chance the box might be lost in the process; risking that the work will not be able to be shipped at all due to weight, height, length or other physical components. This exhibition is about the boxes and what they contained along the way.


Stephanie Ng is a visual artist and art educator who is currently based in Hong Kong. She obtained her BFA degree at Simon Fraser University, Vancouver in 2015. Ng’s practice consists mainly of painting, sculptures and collages. Her practice explores the expanding possibilities and boundaries between painting and sculpture. With immense interest in Architecture, she often draws shapes inspired by her surrounding spaces. Ng’s works have been exhibited in Vancouver and was awarded the Volunteers of the Burnaby Art Gallery Award in Visual Arts in 2014.

Lauren Lavery is a visual artist, writer and editor currently based in Guelph, ON. Her interdisciplinary practice consists mainly of sculpture, collage, painting and installation. Lavery’s practice is implicated in the embodied dynamics of spaces as activated by the human body and its associated material objects. Her visual art has been exhibited in Vancouver, BC, Toronto, Cambridge, ON and Winnipeg, MB. Lavery is also the founder and editor of Peripheral Review, a Vancouver and Toronto-based online platform of exhibition reviews. She holds a BFA with honours from Simon Fraser University’s School for the Contemporary Arts in Vancouver, BC.

Daniel Fernandes | Relaxing Paintings for Spiritual Growth

A solo exhibition of work by Daniel Fernandes. Join us for the opening reception of “Relaxing Paintings for Spiritual Growth” April 13 from 7-10pm.

Relaxing Paintings for Spiritual Growth is a collection of paintings and sculpture examining emotions, themes, and symbols that arose in the artist’s process of attempting to learn how to lucid dream.

Jaz Papadopoulos | I am here my love

(cancelled)   The multimedia exhibition I am here my love pays tribute to memory and the grief of rupture. Stepping into the room is stepping into a sacred space, a space for honouring memory in its wholeness and its brokenness.   The sculptures in the room are modern rambramb – ancient objects that were made to be broken during funerary rites, as a way of releasing grief. They represent both loss and one’s relationship with loss. These bowls symbolically and energetically hold the grief of disconnect from ancestors, as they wait to be broken in catharsis.   I am here my love creates a space to hold memories and acknowledge the gaps. Gaps become spaces for interpretation, spaces to imagine ways to bridge the rupture, spaces in which to grow more fully into wholeness.   Bio: Jaz Papadopoulos is an interdisciplinary artist who works in experimental poetry, installation, video and performance. They are interested in diaspora, gender, bodies, place, memory, grief and ritual. They are a current recipient of the New Artist in Media Art Production Fund at Video Pool, and recently completed the Young Lungs Research Series. Jaz lives in Treaty 1 territory.

Katrina Craig | It Washes Over

A solo exhibition of work by Katrina Craig. Join us for the opening reception of “It Washes Over” Friday, February 2 from 7 to 10pm.

It Washes Over explores experiences through the objects we hold onto, and how the experiences they represent change us. Using donated items of significance that carry memories, grief, and trauma, Katrina ventures into the inner workings of heartbreak and back again. This exploration of physical and emotional experiences as an unraveling and reworking of self weaves past into present, confronting us with familiar and forgotten.

Katrina Craig is a textile artist whose work focuses on hidden lives, vulnerability, and heartbreak. Craig received a BFA from NSCAD University in Halifax, Nova Scotia and currently resides in Winnipeg, Manitoba Canada.

Winter 2017 – Spring 2018

Call for Submissions V

Flux Gallery will be seeking exhibition proposals from emerging artists.

To apply please submit the following in a digital format to flux@aceart.org by 11.59pm, 17 November 2017.

To submit, enclose:

  1. An exhibition proposal (1 page)
  2. Support Material
  3. List the dates in your order of preference. We cannot guarantee you’ll get your preferred date.

Support material:

  • You may include up to 5 images
  • Individual images must be jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only
  • Video may be submitted through a link to Vimeo, YouTube or any other easily accessed website, a max of 5 minutes will be reviewed by selection committee

When applying, please consider:

  • Flux Gallery is  run by volunteers. Two members of the committee will facilitate your show and help things run smoothly for you. If you need assistance or access to resources they can help point you in the right direction
  • You must know how to install your own work. If desired, you can request time in the space to practice installing your work.
  • Works involving sound must be played through headphones.
  • You must return Flux Gallery to its pristine state during the strike of your exhibition.
  • Your work will be for sale; artist fees are therefore not applicable. We will provide a $100 honorarium per show.
  • A map of the space can be found here.

Be a juror for Flux Gallery

Be part of the selection process for exhibitions in Flux! If you are not submitting an exhibition proposal, email flux@aceart.org and tell us what interests you about being on the Flux jury. Email flux@aceart.org for the next date.

Katrina Mendoza | Softerscape

Softerscape is made of distractions from a view. Distractions are comfortable covers for one side only. Soft impressions of practical structures can stand-in for or be grafted onto unwanted surroundings.

Katrina Marie Mendoza is a Winnipeg artist who combines schematic digital drawings with found material in continual reassembly. Her interests lie in drawings as projections of space, the possibility of their becoming objects and the limits of their isolated vocabulary.

ktrnm.tumblr.com | @ktrnm

Opening December 8, 2017 / 7:00pm – 10:00pm
Exhibition will be open for viewing during aceartinc’s hours
12:00pm – 5:00pm everyday excluding Sunday and Monday
Free admission

Scott Kemp | Compositions with Coloured Light

Picture yourself as a car. It can be any car you like. I‘d suggest a practical thing like a mini-van, or some type of smallish sedan.

In my head a car’s favourite time to go driving is in the early morning before the sun comes up, when people are asleep and the roads are empty–some time mid-week, in early fall or early spring.

If cars could feel the wind that runs along their bodies when they move would they enjoy it?

In a movie an actor pretends to be a person they are not, and an audience will choose to believe them so they can enjoy the movie. Tricks of lighting, ambient noise and background scenery contribute to the atmosphere of the movie, which contribute to the audience’s experience of the actor’s performance. In the exhibition Compositions with Coloured Light, an image has been cast as an actor. Composition and lighting are employed as tools for engaging the affected persona of this image-actor; the audience is invited to observe the production.

The image selected for this exhibition was chosen from an archive of photographs documenting unmarked police vehicles in urban situations. This archive is an ongoing project of the artist.

A strong current in Scott Kemp’s artistic practice is their interest in the function of image as a vessel through which social and political values are distributed or reflected. Kemp was a co-organizer of Avenue, an independent gallery and project space that operated in downtown Vancouver from 2013 to 2015, and in 2015 co-founded Duplex, an exhibition space focused on supporting emerging artists, experimental projects, and community events, also in Vancouver. Recent solo exhibitions include Compositions with Toys and Tinted Glass, CSA Space, Vancouver, Canada, 2017; An Upper-Middle Class Fantasy, After Hours, Vancouver, Canada, 2017; Master and Apprentice, Lobster and Leaf, Duplex, Vancouver, Canada, 2016. Group exhibitions include Schererstraße 10 (Institut für Alles Mögliche), Berlin, Germany, 2017; Soil Gallery, Seattle, USA, 2017; Flux Gallery, Winnipeg, Canada, 2015; 221a, Vancouver, Canada, 2015.

Sophie Sabet | Since We Last Spoke

27 October – 4 November 2017

A response by Noor Bhangu

A response by Christina Hajjar

Since We Last Spoke is an autobiographical three-channel video installation exploring the intricacies and tribulations of a modern Iranian-Canadian home. This project is a personal exploration of the impact of displacement on my family due to migration, and the consequent interpersonal and cultural frictions. Each member of my family has been confronted with complex challenges, and my parents’ choice to relocate from East to West has fractured the harmony between our home and society. Over the years, our diverging struggles spawned from displacement have alienated us from one another, fragmenting the family.

Following our immigration to Canada, my father would frequently travel back to Iran. During these lengthy periods apart, my parents would write letters to each other in Farsi describing their daily lives and hopes for the future. I have asked my parents to revisit these letters written between 1997-2004. In the the silent video portraits featured in the installation these letters come back to life as my father hears his reflections and thoughts spoken by my mother, and in turn my father speaks my mother’s words back to her. The videos capture my parents’ reactions as they listen to each other read these letters years later.

The stresses endured by immigrant families such as ours are frequently overlooked. We are stripped of a familiar community, and left to navigate this strenuous process in isolation. My position as an insider within this family has allowed me to capture the honest and fragile moments that point to fundamental problems surrounding acculturation and displacement. Since We Last Spoke reveals a portrait of a family coping with the realities and consequences of immigration.

Sophie Sabet is an emerging media artist working predominantly in video. As an Iranian-born woman raised in Canada, her work focuses on exploring identity and the influences of the diasporic experience within the domestic sphere. She holds a BA in Art History from Queens University, and a MFA in Documentary Media Studies at Ryerson University in Toronto, Canada.

Alyssa Bornn | Mappings

Please join us for the opening reception of Mappings September 8 from 7-10 pm.

mappings is a series of recent works examining the mechanics of projection and the creation of (im)material space. Structural compositions are built then transposed into a flat image. Light is taken as construction material – bent and layered, building topographical zones that speak to both landscape and interior spatial relationships.

Alyssa Bornn is a multidisciplinary artist frequently working at the intersection of photography and sculpture. She is interested in materiality, the registration of time, architecture as vessel for memory, the performative aspects of photography and most everything else. She is a collective member of Open City Cinema and currently pursuing a BFA at the University of Manitoba.

Robyn Adams | Decolonist

A solo exhibition of work by Robyn Adams. Please join us for the opening reception of Decolonist. August 11 from 7-10 pm.

Artist Statement:
I make sculpture as a means of locating my identity within the Indigenous community. I am interested in animal remains and land as material, searching for the materials of my ancestors and exploring hybridization by trading, hunting and gathering for locally sourced fur, leather, antlers and wild plants on Treaty One Territory. Referencing Canada’s rich history my work becomes a hybrid with animal, soil and concrete, commenting on colonization and allowing a space to consider the de-colonist perspective.

In my series, I pair concrete sculptures, and their references to weight, construction, burial and monument with raw animal hide, antlers, sage and soil. This contrasts two cultures and their unification into a hybrid. Land and soil become material as well, as I reference controlled land access and ownership. As a Métis person, I am affected by cultural suppression and my work is to create an environment where conversation for the third space can arise, not only to acknowledge this but also to move forward. The third space is where values and tradition of two cultures can come together to form a hybrid.

I acknowledge that I am living on treaty one territory.

Coming up

Amanda Abrahams | At the same time

“At the same time” is a sculptural textile installation supplemented with fragments of the artists’ own naive and earnest ninth grade diary. Within the work Abrahams aims to sculpt and stitch a penetrable atmosphere to fabricate feeling where no thought is too heavy and no whim is too trite.

Amanda Abrahams is a multi-disciplinary artist concerned with complication and contradiction within emotional life. Human experience is to feel deeply connected, while, simultaneously, human experience is to feel profoundly alone.

Pablo Javier Castillo Huerta  | VIAJE(S)

May 12th – 19th  |   Opening May 12th, 7-10pm.

VIAJE(S) is a sculptural installation that takes inspiration from personal travels, familial struggle, shared stories, as well as current and historical sociopolitical themes. Embodying various elements of the journeys taken by migrants across the world, VIAJE(S) creates an immersive space that invites the viewers to place themselves within the context of an imagined migrant camp. Objects within the installation provide links to life before, during and after the process of migration. The theme of work (or lack thereof) is recurrent throughout this installation, as it is often the primary reason one might feel they need to uproot their lives and that of their families.

Call for Submissions IV

Flux Gallery will be seeking exhibition proposals from emerging artists.

To apply please submit the following in a digital format to flux@aceart.org by 24 April 2017.

To submit, enclose:

  1. An exhibition proposal (1 page)
  2. Support Material
  3. List the dates in your order of preference. We cannot guarantee you’ll get your preferred date.

Support material:

  • You may include up to 5 images
  • Individual images must be jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only
  • Video may be submitted through a link to Vimeo, YouTube or any other easily accessed website, a max of 5 minutes will be reviewed by selection committee

When applying, please consider:

  • Works involving sound must be played through headphones.
  • You must return Flux Gallery to its pristine state during the strike of your exhibition.
  • Your work will be for sale; artist fees are therefore not applicable.

A map of the space can be found here.

Janelle Tougas & Shaylyn Plett | Open Aire Langueur

Shaylyn Plett and Janelle Tougas are multidisciplinary artists who are interested in spatial qualities and their ability to specify the tone and significance of space, as well as the affective potential of object and colour. Their recent collaborative work has explored ideas of whelming comfort found in the dense familiarity of natural forms. In open air langueur colour and shape give order to intangibles and explore opportunities for physical encounters with pieces that can enclose, be circumvented and used for rest.

Christina Bosowec | bed of roses

3-10 March 2017

Bed of Roses is a performance and installation based exhibition that responds to the allure of material forms. Originating from her obsession with the household sponge, Christina Bosowec strives to evaluate everyday objects that embody characteristics of comfort and softness.When used alongside the body as a tool ‘comfort objects’ are consoling, providing strength and deeper understanding. In Bed of Roses Bosowec touches on ‘Radical Softness’ seeking to combat the societal idea that feelings are a sign of fragility. Her performance promotes emotion through meticulous interactions that push past presumed functions.

Colby Richardson | Channelers

7 – 18 February 2017

Reception: 7-10pm, 10 February

Channelers’ is a series of video-sculptures that act as a medium between the living observer and the dead radio waves left behind by the abandonment of analog television broadcasting.

Once popular portable television sets have been modified into curious, altar like, structures resembling both ancient temples and esoteric radio towers.

Each sculpture receives a local transmission of a standard test pattern once used by broadcasters. As the viewer walks amongst the sculptures, the presence of their body acts as an additional antenna, warping and transforming the test pattern on the screens.

By offering a direct line of communication between the observer and the invisible radio waves around them, Channelers seeks to reveal our affect on the electromagnetic spectrum as a eerily mystical, spiritual force.

Here’s a review by Beth Schellenberg.

 Patrick Klassen | My Best Friend

patrick klassen

January 17th- 28th 2017
Opening Reception: January 20th, 2017, 7-10 pm

Despite appearances, Pat’s medium is performance, not painting. “My Best Friend” describes an uneasy bond between artworks and author by presenting his practice as a dysfunctional relationship; one that involves the affection, contempt, and embarrassment that throbs between a person and things.

Playing with some of modernism’s foundational tropes, the paintings themselves waver between abstraction and a kind of expressionism that touches on the epistemic fetish for transparency of process, material, and recursive self-definition. Kurt Schwitters once announced to the Dadaists “I nail my pictures together” which succinctly described his commitment to beaux arts practices (easel, paint, brush) as well as the subversion of the codes defining those practices. Klassen’s canvases are all redaction, smears, and the bare minimum required to summon a drawing, but imbued with imaginary agency. Here, the usual signs of command are given up for the pervert’s compulsion to act out a relationship with the fantasy object.

True to perverse nature, Klassen must find others willing to be put through this exchange. Beyond the conquering gesture of ratchet strapping the paintings to the walls, dividing practices are revealed in a video where viewers can observe Jungian archetypes performed through everyday social engagements, and in the carpet paintings which signal both decorative space and submission. You are invited to walk all over it.

– Jessica Evans

Jessica Evans is an artist and writer based in Vancouver, Canada

Here is a review of the show by Beth Schellenberg.


flux upcoming 2017

Anyse Ducharme | Transfer


2-10 December 2016

Variances of transparency found in wide circulation, slowed down, in an instance of transference; glitched, bent and sliding onto transparent material.

The image file is an assemblage of processes that form a visual iteration. It is only readable because your platform functions in such a way as to allow it to be read, and manifests a visual on your screen (if you can think of a jpg image as a solidified version of a set of processes). Your computer is in communication with its components (algorithms, programs etc.) in order for you to view an image. It is also in communication with the image that has been transferred to you – which also functions in a state of assemblages of processes that solidify enough in order to create a visual iteration on your screen.

Bryn Vargas |  Animating Self


1-12 November 2016

Bryn Vargas is an inter-disciplinary artist concerned about the well-being of relationships in our society today. Seeking to discover, and share the truths she is learning about relationship and what makes them good and worthwhile.

Review of Animating Self by Scott Lercher

Elise Dawson | Daddy

Elise Dawson Daddy PW promoflat

We’ve all got daddy issues, we all live under patriarchy. “Daddy issues” originates from Carl Jung’s theory of the Electra complex, a counteracting theory to the Oedipus complex that suggests women want to compete with their mothers in possession of their fathers. Pop culturally speaking, daddy issues have a lot to do with needing validation from others and seeking approval. Daddy is a minimalist investigation of the artist’s relationship with her father as larger metaphor for our relations within patriarchy and to our environment. The work seeks to question how we deal with our patriarchal relations and the conflict bred from our obsession with validation from authority figures. If this love is immaturely expressed through duty, we might find our value in caretaking and our worth in performance.


Flux Gallery welcomes writing about any of the exhibitions that are mounted in the program. Responses can be in any style and any length. They will be published as PDFs available on aceart.org/flux-gallery. Email your writing to flux@acaert.org.

An interview with Graham Wiebe by Joy Balmana

Cybersensuality- a response by Jaz Papadopoulos

Cybersensuality– an interview with the artist Nancy Nguyen by Joy Balmana

My Best Friend by Patrick Klassen- a review by Beth Schellenberg

Channelers by Colby Richardson- a review by Beth Schellenberg

Since We Last Spoke by Sophie Sabet –  a response by Noor Bhangu

James Malzahn | Privacy Forboden

promoflux sml

Opens Friday, July 22, 2016, 7 pm.
Runs until July 29, 2016

Privacy Forboden, an exhibition by James Malzahn, is an interdisciplinary body of work which critiques the increasing loss of privacy that humanity faces through the abuse of technology at the hands of government agencies. Malzahn illuminates the eeriness associated to mass surveillance programs which includes the bulk interception, collection and storage of the public’s digital communications. This series weaves technology – aesthetically and functionally – through traditional mediums to portray these omnipresent and corrupt entities.

Call for Submissions III

Flux Gallery will be seeking exhibition proposals from emerging artists.

This third call for submissions will be for three exhibition slots:

To apply please submit the following in a digital format to flux@aceart.org by 10 July 2016.

Successful applicants will hear by August 2016.

To submit, enclose:

  1. An exhibition proposal (1 page)
  2. Support Material
  3. List the dates in your order of preference. We cannot guarantee you’ll get your preferred date.

Support material:

  • You may include up to 5 images
  • Individual images must be jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only
  • Video may be submitted through a link to Vimeo, YouTube or any other easily accessed website, a max of 5 minutes will be reviewed by selection committee

When applying, please consider:

  • Works involving sound must be played through headphones.
  • You must return Flux Gallery to its pristine state during the strike of your exhibition.
  • Your work will be for sale; artist fees are therefore not applicable.

A map of the space can be found here.

Graham Wiebe | You Can’t Call People Without Wings Angels


14-20 May 2016, launch: 7-10pm, 14 May

You Can’t Call People Without Wings Angels, an exhibition by Graham Wiebe, is a series of photographs that uses the thematic of Halloween as a way of exploring the holidays uncanny aesthetic while questioning personal anxieties during a time of juvenile purgatory

Nancy Nguyen | Cyber Sensuality

nancy imafge

April 17-30, 2016

CYBER SENSUALITY, an exhibition by Nancy Nguyen is a body of work focused on image-crafted internet identity through a combination of graphic design, books, and wall installations to evoke visual information rather than textual information while dissecting the immediate aesthetics of the internet through permanent forms.

Michael Mogatas | Recent Works

michael image

Recent Works, an exhibition by Michael Mogatas, is a new body of work that reflects his past and present processes of painting via photography.

Rachael Thorleifson | I dreamt [last night] my teeth were crumbling


This exhibition is comprised of paintings and installation that explore the dynamics of heartbreak. The work embodies the tension within conflicting romantic identities that are negotiated through melodrama, omitting specificity in favor of tropes found in the pop-culture canon.

Review in Uptown Magazine