2003

press run of 1000
ISSN 1497-8776
$10.00

2003

edition of 1000
isbn 0-9696265-9-2
$10.00

Curated and edited by Risa Horowitz Catalogue essayists and panelists: Steve Dietz and Jennifer Woodbury Artists: David Rokeby, Garnet Hertz, Nicholas Steadman, Kevin Yates, Erika Lincoln

Catalogue of an exhibition held at aceartinc., featuring interactive work. Catalogue includes bibliographical references.

2002

press run of 1000
ISBN 0-9696265-8-4
$10.00

2001

press run of 1000
ISBN 0-9696265-6-8
$10.00

2000

press run of 1000
ISBN 0-9696265-5-X
$10.00

1999

press run of 1000
ISBN 0-9696265-3-3
$10.00

1999

press run of 1000
ISBN 0-9696265-1-7
$5.00

Curators: Michael Dumontier and Tom Elliott. Artists: Ian Birse, Judy Bowyer, Joanne Bristol, Gail Brown, Hank Bull, Michael Drew Campbell, Elaine Carol, Cause and Effect, Shawna Dempsey/Lorri Millan, Michael Dumontier/T.R. Elliott, Marcel Dzama, Neil Farber, Michael Fernandes, Ken Gregory, Kip Jackson, Drue Langlois, Erika Lincoln, Todd Martin, Rita McKeough, Jennie O’Keefe, Jocelyn Robert, Adrian Shalom Williams, Kathleen Yearwood.

Published to accompany the cassette exhibition/lending library a relatively small collection, this publication features entries by the 24 participating artists as well as images from the exhibition and an essay by the curators.

1999

edition ongoing
ISBN 0-9696265-2-5
$20.00
Artists: Brenna George, Al Rushton, Richard Dyck

Published to accompany the group exhibition Working Space, How to Make Work is an interactive publication that requires audience participation and production, i.e., the “kit” require assembly through interaction with each of the works.

1999

press run of 1000
ISBN 0-9696265-4-1
$15.00

Artists: Judy Bowyer, Dena Decter, Lois Klassen, Jean Klimack, Catherine MacDonald, and Vida Simon; Curator: Marian Butler; Additional Publication contributors: Sylvia Legris, Angela Somerset.

Draw resulted from in/habit, a residency and exhibition (presented at aceartinc. in May/June 1999) that looked at issues of isolation and/or solitude, and the location and impact of artists’ production within various communities. Now in the collection of the Victoria and Albert Museum, London.

1999

limited edition of 13

Curated by Marian Butler. With artists works by JoAnne Bristol, Dagmar Dahle, Candace Savage, Sheila Spence, Susan Mills, Karilee Fuglem, April Hickox. Designed by Angela Somerset. Critical Distance With Crow Energy by Jen Loewen.

1998

press run of 500
$5.00

Artists: Ron Gorsline; Curator: Jennifer Woodbury.

Black and white and color reproductions of Ron Gorsline’s paintings and drawings along with a curatorial essay by Jennifer Woodbury are brought together in this publication in response to the exhibition Light/Shadow/Dark by Ron Gorsline.

1998

edition of 3
$75.00
Artist’s book by Lori Rogers and curator Jennifer Woodbury.

Functioning as both objet and text, this piece distills some of the issues of desire and loss begun in the installation Captive and Absent (aceartinc., 1997). Authorship in the creation of this work is indistinct, as both artist and curator interlay their creative output within the thought and sensibilities of the other.

1998

edition of 200
$20.00

Artist’s book by June Boyd. Co-Facilitators: Marian Butler, Angela Somerset

This book was made through a laborious process of excavation and creation involving photo reenactments of journal excerpts, assemblage of found/retrieved objects, installed situations, drawings and texts. The synthesis of this project (an artist’s book/residency) translates the place where June works and lives into a mobile and tangible form: a documentation /book /installation. Now in the collection of the Victoria and Albert Museum, London.

1998

$5.00

Artists: Eleanor Bond, Sheila Butler, Aganetha Dyck, Larry Glawson, Wanda Koop, Kim Ouellette, Esther Warkov, Diane Whitehouse, Jack Butler, Doug Melnyk, Rosalie Bellefontaine, Michael Drabot, Grant Guy, John Gurdebeked, Chrisine Hawks, Karen Hoeberg, Vern Hume, Alex Poruchnyk, Leon Johnson, Grace Martini, Maureen Margaret, Paula Newman, Susan Peterson. (exhibition)

Artists in smaller centers “off the beaten track” like Winnipeg, join forces with artists in Edinburgh in producing authentic art coming not from the “centre” such as Toronto , but from geographically marginalized areas.

1998

handmade multiples
made-to-order
$60.00

Artist’s book by Helene Dyck

In Flashpoint, a site-specific installation, Helene Dyck continued to reclaim materials from domestic environments, which metaphorically relate to qualities of endurance and renewal in the formation of identity. Helene drew on the layering of the various components in the installation, including plywood for the book’s cover, for this limited edition, handmade artist’s book.

1997

Artist: Susan Turner

Essay: Andrea Philip

1997

handmade multiples
made-to-order
$250.00
Artist’s book by Susan Chafe and Donnelly Smallwood.

Observing journeys to the beaches and rivers as places of reflection where time expands into history, the artists have created Name This Bird - Winnipeg Beach, an image/text ‘notebook’ comprised of a poetic thread of impressions about language and memory.

1997

edition of 200
Artist’s book by Jake Moore

Moore’s to sow was originally presented as an off-site exhibition in September 1996 at 284 William Ave. Moore used an unbound book format comprised of images and texts to convey the relationship between culture and environment and the precarious artifice of history, identity and economics. Now in the collection of the Victoria and Albert Museum, London.

1997

press run of 200
$20.00
Artist’s book by Brenna George.

Drawing on the lives of two manic depressive people, the artist explores the effects that personality/mood swings have on others and the environment around them. Now in the collection of the Victoria and Albert Museum, London.

1997

press run of 200
$20.00
Artist’s book by Tom Elliott.

This work has emerged from Tom’s insterest in making and recording music. The bookwork brings together images, texts and musical notation as means of negotiating particular ‘landscapes’ and what one might encounter in these places.

1996

press run of 200
Artist’s book by Angela Somerset to sow A six month living/art making residency in rural Manitoba community provided both the context and content for an installation entitled navigating by falling stars and this bookwork, presented at aceartinc. Now in the collection of the Victoria and Albert Museum, London.

1992

ISBN 0-9696265-0-9
$10.00

Artists: Sharon Alward, Shirley Brown, Amy Beuhler, Susan Chafe, Shawna Dempsey and Lorri Millan, Jeff Gillman, Ron Gorsline, Steve Gouthro, Ken Gregory, Gilles Hebert, Doug Melnyk, M.A. Peers, Reva Stone; Essays by: Shirley Madill, Leesa Steifler, Gerry Kisil, and Robert Labossiere.

This is a catalogue of an exhibition held simultaneously at aceartinc., Plug-In ICA, and the Winnipeg Art Gallery, July 3 - August 1, 1992. The works address the social and political climate of the artist’s immediate environment.

1991

Catalogue

Design and Illustration: David Ashcroft
Artists: Margarita Popova, Choon Wha Shim, Derek Own, Guye Strobel, Ruth McKibben. (exhibition)

Before 1984

Design: Donna Jones, Illustration: S. Lee, Typing: Yvone Jones and Donna Jones

A collection of tasty recipes from local Winnipeg artists.

2003

edition of 1000
isbn 0-9696265-9-2
$10.00

Curated and edited by Risa Horowitz Catalogue essayists and panelists: Steve Dietz and Jennifer Woodbury Artists: David Rokeby, Garnet Hertz, Nicholas Steadman, Kevin Yates, Erika Lincoln

Catalogue of an exhibition held at aceartinc., featuring interactive work. Catalogue includes bibliographical references.

1999

press run of 1000
ISBN 0-9696265-1-7
$5.00

Curators: Michael Dumontier and Tom Elliott. Artists: Ian Birse, Judy Bowyer, Joanne Bristol, Gail Brown, Hank Bull, Michael Drew Campbell, Elaine Carol, Cause and Effect, Shawna Dempsey/Lorri Millan, Michael Dumontier/T.R. Elliott, Marcel Dzama, Neil Farber, Michael Fernandes, Ken Gregory, Kip Jackson, Drue Langlois, Erika Lincoln, Todd Martin, Rita McKeough, Jennie O’Keefe, Jocelyn Robert, Adrian Shalom Williams, Kathleen Yearwood.

Published to accompany the cassette exhibition/lending library a relatively small collection, this publication features entries by the 24 participating artists as well as images from the exhibition and an essay by the curators.

1999

edition ongoing
ISBN 0-9696265-2-5
$20.00
Artists: Brenna George, Al Rushton, Richard Dyck

Published to accompany the group exhibition Working Space, How to Make Work is an interactive publication that requires audience participation and production, i.e., the “kit” require assembly through interaction with each of the works.

1999

press run of 1000
ISBN 0-9696265-4-1
$15.00

Artists: Judy Bowyer, Dena Decter, Lois Klassen, Jean Klimack, Catherine MacDonald, and Vida Simon; Curator: Marian Butler; Additional Publication contributors: Sylvia Legris, Angela Somerset.

Draw resulted from in/habit, a residency and exhibition (presented at aceartinc. in May/June 1999) that looked at issues of isolation and/or solitude, and the location and impact of artists’ production within various communities. Now in the collection of the Victoria and Albert Museum, London.

1999

limited edition of 13

Curated by Marian Butler. With artists works by JoAnne Bristol, Dagmar Dahle, Candace Savage, Sheila Spence, Susan Mills, Karilee Fuglem, April Hickox. Designed by Angela Somerset. Critical Distance With Crow Energy by Jen Loewen.

1998

press run of 500
$5.00

Artists: Ron Gorsline; Curator: Jennifer Woodbury.

Black and white and color reproductions of Ron Gorsline’s paintings and drawings along with a curatorial essay by Jennifer Woodbury are brought together in this publication in response to the exhibition Light/Shadow/Dark by Ron Gorsline.

1998

edition of 3
$75.00
Artist’s book by Lori Rogers and curator Jennifer Woodbury.

Functioning as both objet and text, this piece distills some of the issues of desire and loss begun in the installation Captive and Absent (aceartinc., 1997). Authorship in the creation of this work is indistinct, as both artist and curator interlay their creative output within the thought and sensibilities of the other.

1998

edition of 200
$20.00

Artist’s book by June Boyd. Co-Facilitators: Marian Butler, Angela Somerset

This book was made through a laborious process of excavation and creation involving photo reenactments of journal excerpts, assemblage of found/retrieved objects, installed situations, drawings and texts. The synthesis of this project (an artist’s book/residency) translates the place where June works and lives into a mobile and tangible form: a documentation /book /installation. Now in the collection of the Victoria and Albert Museum, London.

1998

$5.00

Artists: Eleanor Bond, Sheila Butler, Aganetha Dyck, Larry Glawson, Wanda Koop, Kim Ouellette, Esther Warkov, Diane Whitehouse, Jack Butler, Doug Melnyk, Rosalie Bellefontaine, Michael Drabot, Grant Guy, John Gurdebeked, Chrisine Hawks, Karen Hoeberg, Vern Hume, Alex Poruchnyk, Leon Johnson, Grace Martini, Maureen Margaret, Paula Newman, Susan Peterson. (exhibition)

Artists in smaller centers “off the beaten track” like Winnipeg, join forces with artists in Edinburgh in producing authentic art coming not from the “centre” such as Toronto , but from geographically marginalized areas.

1998

handmade multiples
made-to-order
$60.00

Artist’s book by Helene Dyck

In Flashpoint, a site-specific installation, Helene Dyck continued to reclaim materials from domestic environments, which metaphorically relate to qualities of endurance and renewal in the formation of identity. Helene drew on the layering of the various components in the installation, including plywood for the book’s cover, for this limited edition, handmade artist’s book.

1997

Artist: Susan Turner

Essay: Andrea Philip

1997

handmade multiples
made-to-order
$250.00
Artist’s book by Susan Chafe and Donnelly Smallwood.

Observing journeys to the beaches and rivers as places of reflection where time expands into history, the artists have created Name This Bird - Winnipeg Beach, an image/text ‘notebook’ comprised of a poetic thread of impressions about language and memory.

1997

edition of 200
Artist’s book by Jake Moore

Moore’s to sow was originally presented as an off-site exhibition in September 1996 at 284 William Ave. Moore used an unbound book format comprised of images and texts to convey the relationship between culture and environment and the precarious artifice of history, identity and economics. Now in the collection of the Victoria and Albert Museum, London.

1997

press run of 200
$20.00
Artist’s book by Brenna George.

Drawing on the lives of two manic depressive people, the artist explores the effects that personality/mood swings have on others and the environment around them. Now in the collection of the Victoria and Albert Museum, London.

1997

press run of 200
$20.00
Artist’s book by Tom Elliott.

This work has emerged from Tom’s insterest in making and recording music. The bookwork brings together images, texts and musical notation as means of negotiating particular ‘landscapes’ and what one might encounter in these places.

1996

press run of 200
Artist’s book by Angela Somerset to sow A six month living/art making residency in rural Manitoba community provided both the context and content for an installation entitled navigating by falling stars and this bookwork, presented at aceartinc. Now in the collection of the Victoria and Albert Museum, London.

1992

ISBN 0-9696265-0-9
$10.00

Artists: Sharon Alward, Shirley Brown, Amy Beuhler, Susan Chafe, Shawna Dempsey and Lorri Millan, Jeff Gillman, Ron Gorsline, Steve Gouthro, Ken Gregory, Gilles Hebert, Doug Melnyk, M.A. Peers, Reva Stone; Essays by: Shirley Madill, Leesa Steifler, Gerry Kisil, and Robert Labossiere.

This is a catalogue of an exhibition held simultaneously at aceartinc., Plug-In ICA, and the Winnipeg Art Gallery, July 3 - August 1, 1992. The works address the social and political climate of the artist’s immediate environment.

1991

Catalogue

Design and Illustration: David Ashcroft
Artists: Margarita Popova, Choon Wha Shim, Derek Own, Guye Strobel, Ruth McKibben. (exhibition)

Before 1984

Design: Donna Jones, Illustration: S. Lee, Typing: Yvone Jones and Donna Jones

A collection of tasty recipes from local Winnipeg artists.