Themed Artist Pages, Paperwait, Volume 12

“I wouldn’t normally…”

I wouldn’t normally show…

I wouldn’t normally use…

I wouldn’t normally be so reckless…

I wouldn’t normally tell…

I wouldn’t normally think…

I wouldn’t normally give a damn…

I wouldn’t normally ask for submissions like this…

-Deadline:  5p.m.  11^th May 2010

-One image/text only that can be printed

-Postal and electronic submissions accepted.

-JPG images no bigger than 1024 x 768 pixls / 1MB

Post

Paperwait Submissions, aceartinc.

2-290 McDermot Avenue, Winnipeg, M.B, R3B 0T2

email

program@aceart.org

designed by Mike Carroll, edited by hannah_g

PaperWait Vol. 10 & 11

IN TOWN MEMBERS COME PICK UP YOUR ISSUE!!

This is another bumper edition covering the programming from 2007/8-2008/9, containing all the Critical Distances for those years.

The theme of the artist pages is DIY/DIT- showcasing an ultra mix of work from artists across Canada. Highlights include Suzie Smith’s record sleeves, collage by Irene Bindi and an extract from Lauren Hortie’s Lesbian Coloring Book series. There are also a coupla special essays- Andrew Kear (WAG Associate Curator Historical Canadian Art)  discusses the DIY roots of The Peg; and English DIY activist and author, Amy Spencer, gives an overview of DIY culture.

In keeping with the theme, the book itself contains some treats to get you DIY / DIT-ing. A stencil, sticker page, postcards and flip book fun will help keep you in mischief.

This PaperWait is a limited edition, so you’re only going to get your hands on one if you are a member. It’s a pretty special number, even if we do say so ourselves. Make sure your membership is up to date to avoid disappointment.

press run of 1000
ISSN 1497-8776
$10.00

2005

press run of 1000
ISSN 1497-8776
$10.00

2004

press run of 1000
ISSN 1497-8776
$10.00

2003

press run of 1000
ISSN 1497-8776
$10.00

2002

press run of 1000
ISBN 0-9696265-8-4
$10.00

2001

press run of 1000
ISBN 0-9696265-6-8
$10.00

2000

press run of 1000
ISBN 0-9696265-5-X
$10.00

1999

press run of 1000
ISBN 0-9696265-3-3
$10.00

Daniel Barrow

No One Helped Me book launch & performance of Every Time I See Your Picture I Cry

Tuesday 16 February   |   7.30 pm   |   free

Please book in advance to avoid disappointment

204 944 9763   |   gallery@aceart.org

aceartinc. cordially invites you to a free performance of Every Time I see Your Picture I Cry by Daniel Barrow to celebrate the release of his new art book, No One Helped Me, published by aceartinc. with the generous support of the Winnipeg Arts Council’s New Creations Fund. This is a beautifully produced, limited edition, complete with a 7” record (voice by Daniel Barrow, music by Amy Linton; B side by The Ballet) to accompany your page turning. It also contains exclusive essays by Jon Davies and Steven Matijcio.

Awarded the 2008 Images Prize at its premiere, Daniel Barrow’s newest “manual animation” combines overhead projection with video, music, and live narration to tell the story of a garbage man with a vision to create an independent telephone book chronicling the lives of each person in his city. In the late hours of the night, he sifts through garbage, collecting personal information and then traces pictures of each citizen through the windows of their homes as they sleep. What he doesn’t yet realize is that a deranged killer is trailing him, murdering each citizen he includes in his book, thus rendering his cataloging efforts obsolete. The garbageman is a failed artist who fears becoming subject to the grip of something overwhelming. This animation traces his attempts to slow down and creatively reflect, in a process of coming to terms with his own self-loathing and fear.

ISBN: 978-0-9864732-0-3
Edition of 500.

more about the artist and to order book: www.danielbarrow.com

or purchase No One Helped Me at Art Metropole:  http://www.artmetropole.com

designed by Mike Carroll, edited by hannah_g

PaperWait Vol. 10 & 11

IN TOWN MEMBERS COME PICK UP YOUR ISSUE!!

This is another bumper edition covering the programming from 2007/8-2008/9, containing all the Critical Distances for those years.

The theme of the artist pages is DIY/DIT- showcasing an ultra mix of work from artists across Canada. Highlights include Suzie Smith’s record sleeves, collage by Irene Bindi and an extract from Lauren Hortie’s Lesbian Coloring Book series. There are also a coupla special essays- Andrew Kear (WAG Associate Curator Historical Canadian Art)  discusses the DIY roots of The Peg; and English DIY activist and author, Amy Spencer, gives an overview of DIY culture.

In keeping with the theme, the book itself contains some treats to get you DIY / DIT-ing. A stencil, sticker page, postcards and flip book fun will help keep you in mischief.

This PaperWait is a limited edition, so you’re only going to get your hands on one if you are a member. It’s a pretty special number, even if we do say so ourselves. Make sure your membership is up to date to avoid disappointment.

press run of 1000
ISSN 1497-8776
$10.00

2003

edition of 1000
isbn 0-9696265-9-2
$10.00

Curated and edited by Risa Horowitz Catalogue essayists and panelists: Steve Dietz and Jennifer Woodbury Artists: David Rokeby, Garnet Hertz, Nicholas Steadman, Kevin Yates, Erika Lincoln

Catalogue of an exhibition held at aceartinc., featuring interactive work. Catalogue includes bibliographical references.

1999

press run of 1000
ISBN 0-9696265-1-7
$5.00

Curators: Michael Dumontier and Tom Elliott. Artists: Ian Birse, Judy Bowyer, Joanne Bristol, Gail Brown, Hank Bull, Michael Drew Campbell, Elaine Carol, Cause and Effect, Shawna Dempsey/Lorri Millan, Michael Dumontier/T.R. Elliott, Marcel Dzama, Neil Farber, Michael Fernandes, Ken Gregory, Kip Jackson, Drue Langlois, Erika Lincoln, Todd Martin, Rita McKeough, Jennie O’Keefe, Jocelyn Robert, Adrian Shalom Williams, Kathleen Yearwood.

Published to accompany the cassette exhibition/lending library a relatively small collection, this publication features entries by the 24 participating artists as well as images from the exhibition and an essay by the curators.

1999

edition ongoing
ISBN 0-9696265-2-5
$20.00
Artists: Brenna George, Al Rushton, Richard Dyck

Published to accompany the group exhibition Working Space, How to Make Work is an interactive publication that requires audience participation and production, i.e., the “kit” require assembly through interaction with each of the works.

1999

press run of 1000
ISBN 0-9696265-4-1
$15.00

Artists: Judy Bowyer, Dena Decter, Lois Klassen, Jean Klimack, Catherine MacDonald, and Vida Simon; Curator: Marian Butler; Additional Publication contributors: Sylvia Legris, Angela Somerset.

Draw resulted from in/habit, a residency and exhibition (presented at aceartinc. in May/June 1999) that looked at issues of isolation and/or solitude, and the location and impact of artists’ production within various communities. Now in the collection of the Victoria and Albert Museum, London.

1999

limited edition of 13

Curated by Marian Butler. With artists works by JoAnne Bristol, Dagmar Dahle, Candace Savage, Sheila Spence, Susan Mills, Karilee Fuglem, April Hickox. Designed by Angela Somerset. Critical Distance With Crow Energy by Jen Loewen.

1998

press run of 500
$5.00

Artists: Ron Gorsline; Curator: Jennifer Woodbury.

Black and white and color reproductions of Ron Gorsline’s paintings and drawings along with a curatorial essay by Jennifer Woodbury are brought together in this publication in response to the exhibition Light/Shadow/Dark by Ron Gorsline.

1998

edition of 3
$75.00
Artist’s book by Lori Rogers and curator Jennifer Woodbury.

Functioning as both objet and text, this piece distills some of the issues of desire and loss begun in the installation Captive and Absent (aceartinc., 1997). Authorship in the creation of this work is indistinct, as both artist and curator interlay their creative output within the thought and sensibilities of the other.

1998

edition of 200
$20.00

Artist’s book by June Boyd. Co-Facilitators: Marian Butler, Angela Somerset

This book was made through a laborious process of excavation and creation involving photo reenactments of journal excerpts, assemblage of found/retrieved objects, installed situations, drawings and texts. The synthesis of this project (an artist’s book/residency) translates the place where June works and lives into a mobile and tangible form: a documentation /book /installation. Now in the collection of the Victoria and Albert Museum, London.

1998

$5.00

Artists: Eleanor Bond, Sheila Butler, Aganetha Dyck, Larry Glawson, Wanda Koop, Kim Ouellette, Esther Warkov, Diane Whitehouse, Jack Butler, Doug Melnyk, Rosalie Bellefontaine, Michael Drabot, Grant Guy, John Gurdebeked, Chrisine Hawks, Karen Hoeberg, Vern Hume, Alex Poruchnyk, Leon Johnson, Grace Martini, Maureen Margaret, Paula Newman, Susan Peterson. (exhibition)

Artists in smaller centers “off the beaten track” like Winnipeg, join forces with artists in Edinburgh in producing authentic art coming not from the “centre” such as Toronto , but from geographically marginalized areas.

1998

handmade multiples
made-to-order
$60.00

Artist’s book by Helene Dyck

In Flashpoint, a site-specific installation, Helene Dyck continued to reclaim materials from domestic environments, which metaphorically relate to qualities of endurance and renewal in the formation of identity. Helene drew on the layering of the various components in the installation, including plywood for the book’s cover, for this limited edition, handmade artist’s book.

1997

Artist: Susan Turner

Essay: Andrea Philip

1997

handmade multiples
made-to-order
$250.00
Artist’s book by Susan Chafe and Donnelly Smallwood.

Observing journeys to the beaches and rivers as places of reflection where time expands into history, the artists have created Name This Bird – Winnipeg Beach, an image/text ‘notebook’ comprised of a poetic thread of impressions about language and memory.

1997

edition of 200
Artist’s book by Jake Moore

Moore’s to sow was originally presented as an off-site exhibition in September 1996 at 284 William Ave. Moore used an unbound book format comprised of images and texts to convey the relationship between culture and environment and the precarious artifice of history, identity and economics. Now in the collection of the Victoria and Albert Museum, London.

1997

press run of 200
$20.00
Artist’s book by Brenna George.

Drawing on the lives of two manic depressive people, the artist explores the effects that personality/mood swings have on others and the environment around them. Now in the collection of the Victoria and Albert Museum, London.

1997

press run of 200
$20.00
Artist’s book by Tom Elliott.

This work has emerged from Tom’s insterest in making and recording music. The bookwork brings together images, texts and musical notation as means of negotiating particular ‘landscapes’ and what one might encounter in these places.

1996

press run of 200
Artist’s book by Angela Somerset to sow A six month living/art making residency in rural Manitoba community provided both the context and content for an installation entitled navigating by falling stars and this bookwork, presented at aceartinc. Now in the collection of the Victoria and Albert Museum, London.

1992

ISBN 0-9696265-0-9
$10.00

Artists: Sharon Alward, Shirley Brown, Amy Beuhler, Susan Chafe, Shawna Dempsey and Lorri Millan, Jeff Gillman, Ron Gorsline, Steve Gouthro, Ken Gregory, Gilles Hebert, Doug Melnyk, M.A. Peers, Reva Stone; Essays by: Shirley Madill, Leesa Steifler, Gerry Kisil, and Robert Labossiere.

This is a catalogue of an exhibition held simultaneously at aceartinc., Plug-In ICA, and the Winnipeg Art Gallery, July 3 – August 1, 1992. The works address the social and political climate of the artist’s immediate environment.

1991

Catalogue

Design and Illustration: David Ashcroft
Artists: Margarita Popova, Choon Wha Shim, Derek Own, Guye Strobel, Ruth McKibben. (exhibition)

Before 1984

Design: Donna Jones, Illustration: S. Lee, Typing: Yvone Jones and Donna Jones

A collection of tasty recipes from local Winnipeg artists.