Opening reception July 30, 2015 7pm
Exhibition continues July 31-August 22, 2015
Curated by Sigrid Dahle, featuring work by Marcel Dzama, Seema Goel, Rachael Kroeker, Jeannie Mah, Monica Mercedes Martinez, and Brendan Tang. This group exhibition includes artists who consciously use ceramic history, material properties and studio and/or commercial production processes to playfully and incisively explore, resist and/or perform unmoored contemporary identities. How are ever-evolving, cross-generational im/migrant experiences, colonial narratives and hybridized identities – what we customarily call ‘globalization’ – enacted in and through the vibrant discourse that is 21st century ceramics? What is it about this medium that renders it so amenable to supporting these timely and compelling investigations? Explore these questions and more when Play, Precarity and Survival opens this July.
This exhibition was made possible through generous funding from the Winnipeg Arts Council, Manitoba Arts Council, Canada Council for the Arts and the Arts Branch, Province of Manitoba.
Indigenous Curatorial Residency
In partnership with the Aboriginal Curatorial Collective and with the generous support of the Winnipeg Foundation, aceartinc. has created an Indigenous Curatorial Residency.
aceartinc. and the Aboriginal Curatorial Collective are delighted to announce that the selection committee has considered the applications to the Indigenous Curatorial Residency program and made their selection. Niki Little will begin the residency on August 4th, 2015. She will mount the exhibition, Enendaman | Anminigook, in January 2016.
The Curatorial Project
Enendaman | Anminigook will investigate the concept of authorship in contemporary Indigenous art; more specifically, utilizing this notion as a model to investigate the intersecting points of lineage, Indigenous female territories, and the value associated with labour/cultural skill. Little hopes to create a space that is a form of generative process and resistance revealing the nuanced complexity of recentering women.
Niki Little is an artist/observer and arts administrator whose works extends from writing, curating, arts coordination and engaging in transient artistic experiences. She is interested in artistic and curatorial strategies that investigates art consumerism, gender, culture and cultural Diaspora with a hint of youth-inspired ambivalence along the way. She is a member of The Ephemerals, a female Indigenous art collective. Little is on the Board of Directors at Urban Shaman (Vice-President), and recently stepped down from President for the Independent Media Arts Alliance, and Treasurer for the National Indigenous Media Arts Coalition. She studied at the University of Manitoba, the National Screen Institute, and the Camberwell College of Art, London, UK, and completed the Mentoring Artists for Women’s Art (MAWA) mentorship program.